Special Events

We invite you to attend these special events at the 2026 AMS Annual Meeting.

AMS Sessions

CAMPE
Endowed Lectures
In Memoriam
In-Person Events
Performances
Professional Development

Rethinking the A and I of AI: Of Music, Mind, Mechanism, and Machine

Chair and Discussant: David Trippett, University of Cambridge Presenter: Lydia Goehr (Columbia University) Organized by the AMS Committee on the Annual Meeting and Public Events (CAMPE). In a 1991 conversation...
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Archives Around the World: Contents, Opportunities, and Access

Chair: Paul Sommerfeld (Library of Congress) Presenters: Stefan Engl (Wienbibliothek im Rathaus); Paul Sommerfeld (Library of Congress); Carlo Lanfossi (Ricordi); Marten Saarela (The Ricci Institute for Chinese-Western Cultural History at...
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Voice Now?: Committee on Race, Indigeneity, and Ethnicity Roundtable

Chair: Rachana Vajjhala (University of California, Davis) Organized by the AMS Committee on Race, Indigeneity, and Ethnicity. The Journal of the American Musicological Society published a colloquy on voice (“Why Voice Now?”)...
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Musicology Across Borders: An International Summit

Chair: Ellen Lockhart (University of Toronto) Presenters: Daniel Chua (University of Hong Kong); Juan-Pablo González (Universidad Alberto Hurtado); Emanuele Senici (Sapienza University of Rome); Ayana Smith (Indiana University) Organized by the AMS Committee on the Annual Meeting...
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Creating Other Spaces at a Moment of Peril: Music Studies as Critical Practice (AMS President's Endowed Plenary Lecture)

Chair: Julie Cumming (McGill University) Presenter: Ellie M. Hisama (University of Toronto) A question posed by the historian Howard Zinn in 1970–“what kinds of work can scholars do, in deliberate...
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Becoming Lloronas: Walking and Wailing toward Healing (Committee on Women and Gender Endowed Lecture)

Chairs: Abby Anderton (CUNY Graduate Center); Kristen Franseen (Western University) Organized by the AMS Committee on Women and Gender. For centuries and across borders, La Llorona has made her presence known,...
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The Pitch of Blackness: Sounding Race on Broadway (Critical Race Lecture)

Image: Meetmeatthemuny, CC BY-SA 4.0, via Wikimedia Commons Chair: Rachana Vajjhala Presenter: Masi Asare (Northwestern University) Organized by the AMS Committee on Race, Indigeneity, and Ethnicity. This talk will explore...
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Remembering Bonnie Blackburn (1939-2026)

Chair: Julie Cumming (McGill University) Presenters: Jane Bernstein; Laurie Stras; Gioa Filocamo; Katelijne Schiltz; Margaret Bent; Leofranc Holford-Strevens Bonnie Blackburn (1939-2026) was an independent scholar who played a central role...
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Music history from below in (and across) the Gulf-Caribbean World: Archival envelopment, thick description, and Atlantic methods in musicology

Organized by the AMS Ibero-American Music Study Group Presenter: Benjamin Barson (Bucknell University) This session, given in-person at the University of Texas at Austin and live-streamed to the AMS Annual...
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America at 250: A Celebration of American Opera

Image: Steven Pisano, CC BY 2.0, via Wikimedia Commons Chair: Jeff Dailey Presenters: Christopher Thompson; Carla Wesby; Mary Pinto; John Graziano (CUNY); Deborah Surdi (Queens Symphony Orchestra); Gordon Ostrowski (Manhattan School of Music); Jeff Dailey Organized by...
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What Class Time Is For: Music History Pedagogy across Formats and Student Bodies

Chair: Barbara Dietlinger (University of North Texas) Presenters: Sarah Lucas (Texas A&M University-Kingsville); Brian Anderson (University of North Texas); Kimberly Beck Hieb (West Texas A&M University) Organized by the AMS Southwest Chapter. As music history teaching...
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Arise, My Love: Renaissance Polyphony Inspired by the Song of Songs

Organized by the AMS Midwest Chapter. Fior Angelico, an early music chorus based in Columbus, Ohio, celebrating its 20th year, will present a concert of sacred Renaissance polyphony inspired by...
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Liminal Musicking

Chair: Kyle Kaplan (Syracuse University) Presenters: Anthony Reed (Vanderbilt University); Vijay Iyer (Harvard University); Malte Kobel (Guildhall School of Music & Drama); Christine Dysers (Aalborg University) Organized by the AMS Music and Philosophy Study Group. This in-person panel at...
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Voice Now?: Committee on Race, Indigeneity, and Ethnicity Roundtable

Chair: Rachana Vajjhala (University of California, Davis) Organized by the AMS Committee on Race, Indigeneity, and Ethnicity. The Journal of the American Musicological Society published a colloquy on voice (“Why Voice Now?”)...
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happier.rx: Gracie Fagan on Process, Collaboration, and Experimentation in Music and Dance

Chair: Angelina Gibson (University of Michigan) Presenter: Gracie Fagan Organized by the AMS Music and Dance Study Group. In this in-person presentation and performance at the University of Michigan, live-streamed...
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America at 250: A Celebration of American Opera

Image: Steven Pisano, CC BY 2.0, via Wikimedia Commons Chair: Jeff Dailey Presenters: Christopher Thompson; Carla Wesby; Mary Pinto; John Graziano (CUNY); Deborah Surdi (Queens Symphony Orchestra); Gordon Ostrowski (Manhattan School of Music); Jeff Dailey Organized by...
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Tradition and Innovation in Turkish Instrumental Music

This performance presents an innovative interpretation of the Classical Turkish Music tradition through an ensemble of kanun (Prof. Dr. Seda Tüfekçioğlu), violin (Semih Özdemir), and oud/guitar (Emir Altuğ Karakaya). While...
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Arise, My Love: Renaissance Polyphony Inspired by the Song of Songs

Organized by the AMS Midwest Chapter. Fior Angelico, an early music chorus based in Columbus, Ohio, celebrating its 20th year, will present a concert of sacred Renaissance polyphony inspired by...
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From Concubines’ Lament to Goddess Fantasy: The Changing Imagery of Women in the Twentieth-Century Chinese Pipa Music

The pipa has long occupied a distinctive place in Chinese musical culture as an instrument uniquely associated with femininity in repertory, performance practice, and reception history. Yet the sonic means...
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New Music for Piano Based on Nigerian Field Recordings

Image: Gogeafrica, CC BY-SA 4.0, via Wikimedia Commons Chair: Quintina Carter-Ényì (University of Georgia) This performance, moderated by Quintina Carter-Ényì, brings Nigerian field recordings into dialogue with newly composed works for piano,...
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Gullah Geechee Spirituals and Shout Songs

Organizer: Aaron Carter-Ényì In 1903, W.E.B. Du Bois wrote that the sea island peoples of Georgia and South Carolina are “touched and moulded less by the world about them” (251)....
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Reimagining the PhD: The ACLS Doctoral Futures Initiative

Chair: Stacy Hartman (American Council of Learned Societies) Presenters: Daniel Goldmark (Case Western Reserve University); Danielle Fosler-Lussier (Ohio State University) The ACLS’s Doctoral Futures Initiative is a three-year project that...
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Forensic Musicology Then, Now, & Tomorrow

Chair: Katherine Leo (Millikin University) Presenters: Katherine Leo (Millikin University); Joe Bennett (Berklee College of Music); Claire McLeish (Grayson Music) What is forensic musicology: where has it been, what are current issues in this small, yet...
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IMS Sessions

ARLAC
IMSEA
Performances

Music in the Press: Research Methods and the Writing of Music History in Latin America and the Caribbean (ARLAC)

Chair: Maria Alice Volpe (Universidade Federal do Rio de Janeiro, Brazil) Organized by the ARLAC-IMS Working Group “Music and Periodicals.” Beyond treating periodicals merely as sources of historical data, this session considers...
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Mapping Sources in Musical Iconography: Crossing Borders and Challenging Boundaries (ARLAC)

Image: Pedro Ribeiro Simões (CC BY-NC-SA) Chair: Luzia Aurora Rocha (Instituto Politécnico de Castelo Branco, ESART, Portugal) Organized by the ARLAC-IMS Working Group “Musical Iconography in Ibero-America and its Overseas Connections.”...
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“Canciones Neogranadinas” and the Latin American Villancico: Domestic Practices and Transregional Networks (1850–1930) (ARLAC)

Chairs: Mariantonia Palacios (Universidad Central de Venezuela and Instituto Tecnológico Metropolitano, Medellín, Colombia); Carlos Caballero Parra (Instituto Tecnológico Metropolitano, Medellín, Colombia) Organized by the ARLAC-IMS Working Group “The Villancico in...
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Organs, matracas (Church rattles) and bands in Europe and the New World: 18th–20th centuries (ARLAC)

Image: Diego Delso, CC BY-SA 4.0, via Wikimedia Commons Chair: Egberto Bermúdez (Universidad Nacional de Colombia, Bogotá) Organized by the IMS Study Group “Early Music and the New World.” This...
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The Architect of Americanismo: Francisco Curt Lange and the Intellectual Infrastructure of Latin American Musicology (ARLAC)

Chair: Juan Pablo González (Universidad Alberto Hurtado, Chile) Organized by the ARLAC–IMS Working Group “Curt Lange.” Musicological historiography in Latin America has long been dominated by “monumental” biographies and isolated...
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Decolonial Approaches to Music Studies: Listening, Historiography, and the Politics of Audibility (ARLAC)

Chair: Diósnio Machado Neto (Universidade de São Paulo) Presenters: Diósnio Machado Neto (Universidade de São Paulo); Fátima Graciela Musri (Universidad Nacional de San Juan, Argentina); Mauricio Andrés Pitich (Universidad Nacional del Litoral, Argentina) Organized by the...
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Perspectives on Kikuko Kanai and Okinawan Music in Modern Japan

Chair: Maiko Kawabata (Royal College of Music and the Open University, UK) Organized by the IMS Regional Association for East Asia (IMSEA). This panel brings together Japanese music researchers in Japan...
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Amplifying Dissonances in Transregional Circulation of Sinophonic Sounds

Chair: Jermyn C. M. Li (The Chinese University of Hong Kong) Recent scholarship on the circulations of sounds/musics in the Sinophone has illuminated their potential to engender new forms of...
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Sounds of Korea: Tradition and Continuation

Image: Lee Jeong Woo (이정우) / Ministry of Culture, Sports and Tourism via Republic of Korea from Seoul, Republic of Korea, CC BY-SA 2.0, via Wikimedia Commons Chair: Soonjung Suh...
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Research into the Methodology Behind Digitally Archiving Materials Related to Kabuki Music

Chair: Makiko Tsuchida (Tokyo University of Arts) Organized by the IMS Regional Association for East Asia (IMSEA). This panel introduces a joint research project beginning in 2026 that takes up the challenge...
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“Canciones Neogranadinas” and the Latin American Villancico: Domestic Practices and Transregional Networks (1850–1930) (ARLAC)

Chairs: Mariantonia Palacios (Universidad Central de Venezuela and Instituto Tecnológico Metropolitano, Medellín, Colombia); Carlos Caballero Parra (Instituto Tecnológico Metropolitano, Medellín, Colombia) Organized by the ARLAC-IMS Working Group “The Villancico in...
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Sounds of Korea: Tradition and Continuation

Image: Lee Jeong Woo (이정우) / Ministry of Culture, Sports and Tourism via Republic of Korea from Seoul, Republic of Korea, CC BY-SA 2.0, via Wikimedia Commons Chair: Soonjung Suh...
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